Sunday, 13 June 2010

This Week's DVD/Blu-ray Choice - 14th June

Plummeting from last week's many picks, i come with one this week with one mere release. Still, it's a cracker!

My choice this week is Crazy Heart.

Jeff Bridges won the Oscar for Best Actor for his portrayal of Bad Blake, the washed-up country musician. Reduced to playing gigs in small and rather drab halls, Blake meets small-time New Mexico journalist Jean Craddock. Jean, along with her four-year-old son, forces Blake to reassess his life (which is usually full of one night stands and copious amounts of whisky). The plot remains simple, but thrives on the more-than-impressive talents by it's main actors (Bridges and Gyllenhaal, especially) - with the beautifully written title song, "The Weary Kind", also taking an Oscar. A DVD purchase would be fine.

WARNING: Teen 'horror' The Haunting of Molly Hartley is also released this week. If you value your life, you shall remain ten feet away from this atrocity. Not even Chace Crawford's charm can surface this abysmal piece of s**t.

Thursday, 10 June 2010

This Week's UK Cinema Releases - 11th June

A rather slow week, but there's bound to be at least one gem out there to satisfy your appetites.

-Firstly, Gary Winick teams with the beautiful Amanda Seyfried for her second romance of the year, Letters to Juliet. Heading to Verona, Sophie (Seyfried) finds herself embroiled in a romance spanning fifty years, all-the-while sparking her own relationship despite being engaged to a pompous, overbearing New York chef (Gael Garcia Bernal). The film co-stars veteran Vanessa Redgrave and Aussie actor Christopher Egan. Read my review for the charming film here.

-Richard Gere hits up the streets of New York with Don Cheadle, Ethan Hawke and Wesley Snipes in Antoine Fuqua's latest cop thriller, Brooklyn's Finest. Three unconnected cops collide after a series of unfortunate events. Fuqua's other hits include Training Day and Mark Wahlberg's Shooter.

-Sean Bean and Eddie Redmayne star in Christopher Smith's (the director of Creep, Severence and mind-bending thriller Triangle) violent thriller, Black Death. As the bubonic plague spreads rapidly throughout towns, a young monk is sent on a mission to uncover the secret behind a town which hasn't been affected by the plague and is curiously 'bringing people back to life'.

-Ben Stiller also goes serious in Noah Baumbach's latest Indie drama, Greenberg. After a nervous breakdown, Roger moves to Los Angeles to housesit for his brother and finds himself in a rather awkward relationship with the families' P.A. An unconventional, but enjoyable, comedy.

-Cineworld cinemas are also holding special digital screenings of the 1946 black and white adaptation of Charles Dickens' novel, Great Expectations. Uniquely restored in picture and sound, the timeless story of a humble orphan suddenly becoming a gentleman with the help of a unknown benefactor hits the big-screen once again.

Movie News: DTV Treatment for Burning Bright


Delayed for months, Lionsgate shoved Burning Bright on the back-burner, but continued with the intention of giving it a theatrical release. Sadly, the film - boasting a rather surreal plot - has been thrown on the DTV shelf, having a US DVD release date of August 17th.

Briana Evigan (Sorority Row, Step up 2) stars as a girl trapped in her house with her autistic little brother (Charlie Tahan) during a hurricane, unaware of the ravenous tiger roaming the hallways.

A rather ambitious plot, but you have to credit writing-duo Christine Coyle Johnson and Julie Prendiville Roux for attempting something original.

Bloody Disgusting exclaims, "..incredibly tense and suspenseful sequences that had me gasping for air!"

The thriller is directed by Carlos Brooks and co-stars Garret Dillahunt (The Last House on the Left) and Meat Loaf.


Cinema Review: Letters to Juliet

Quickly becoming one of Hollywood's most sought-after actresses, Amanda Seyfried stars in her second romance of the year (the first being Dear John) which, despite its predictability, is one of the most surprising.

Sophie (Seyfried) and her obnoxious fiancee Victor (Gael Garcia Bernal) head to Verona, Italy on a pre-wedding vacation. Busy with organising his restaurant, Sophie is left to walk the idyllic streets by herself. Stumbling upon Juliet Capulet's house and the wall of letters written by love-torn souls, she finds an unanswered fifty-year-old letter belonging to an undecided woman named Claire Smith (Vanessa Redgrave). Writing her back, Claire and her irritating grandson (Home and Away's Christopher Egan) head to Verona to find Sophie, then hopefully the true love she left behind all those years ago.

Entirely unfazed by the sometimes sloppy writing and the pre-destined ending, Letters to Juliet provides us with a simplistic love story which, by every means, is effective. Seyfried, proving herself capable of a story other than romance with this year's seductive thriller Chloe, positively glows. Exuding enthusiasm, class and style with every film, her character of Sophie is an adorable female lead who goes hand-in-hand with the stunning landscape of Italy.

Redgrave, winning this year's BAFTA Fellowship award, is a worthwhile companion for Sophie, with their heartwarming, relatable chemistry blossoming throughout. Transcending into an almost Mother-Daughter duo, their scenes together are captivating and genuine - made even more touching due to Vanessa sounding almost identical to her late daughter Natasha.

Bernal plays his part of the overbearingly unobservant fiancee well, with Australian actor Christopher Egan playing his counterpart. At first, entirely loathsome but thankfully morphs into a kind-spirited and charming male lead - and of course the match for Sophie which is clearly vacant by her fiancee. Provided with the vast majority of cheesy but amusing one-liners, Egan also works incredibly well with Seyfried. Matching both physically (the perfect poster couple, no?) and personality-wise, their constant bickering is easy entertainment and their flirtacious behaviour will have women of all ages quivering.

Working almost entirely down to the warmth between the characters, the sweeping romance doesn't go a-miss with Gary Winick's clear eye for the sincerely beautiful, dream-like setting. Spanning over Italy, the film technically could stand as an overlong travel advertisement. Still, the film is shrouded in romance. The culmination of both couples (you knew it was coming!) is glorious.

While not perfect, the story of love at any age is a message which has been thrown on-screen a lot lately. The story, written rather delicately, is a simple one which eases the target audience in nicely with a likable lead and a sumptuously perfect Italian setting. Despite the last fifteen minutes (transcending in the toe-curdlingly atrocious), Letters to Juliet is a breathtaking, moving romance which succeeds in differentiating itself from the rest of the flock.

3.5/5

Blu-ray Review: Crimson Wing - Mystery of the Flamingos

Continuing from Earth, Disneynature dazzles once more with their second feature, displaying the vigorous, entrancing and rather inscrutable creatures known as the flamingo in Crimson Wing: Mystery of the Flamingos.

The documentary follows a flock of flamingos through their life cycle. Spanning over the one year, we're subjected to birth, death and the problematic situations the birds face between seasonal changes and their strangely absorbing habits.

Earnestly narrated by Mariella Frostrup, the year spent with the animals is eye-opening. Introduced instantly to the birds and their harsh surroundings, a bond is immediately made. Flying in unison, the flamingos highlight a certain poignancy which can only be accomplished by such graceful birds. Their vibrant colours fusing together in a flock, or clashing with the water, sky or sand is emphasised by the always-impressive photography, capturing some of the most uniquely shot and downright bewitching images.

Somewhat comedically, they move in an almost choreographed group in the water, traipsing like a pack of snobs from an earlier century, resembling that of a humerous stage show - which always provides as light entertainment in the always-so-serious life of nature. They flap their wings to certify their presence in the company of another, attempting to gain partnership - unarguably similar to humankind, then.

The fascinating birds stand strong through the trials and tribulations of their lives, but continue with the natural progress of parenthood. Intimately shot, we're shown the first few hours of a youngun's life which truly captivates and moves, with a glorifying sense of accomplishment when their first steps are taken.

Sadly, what culminates in something so angelic is broken within minutes in the wild. The insatiable marabu, looking almost identical to an ugly witch, stalk and hunt the young which is upsetting and simply heartbreaking. Still, the marabu are one of many problems the flamingo (and every other animal in the wild) will face. The dramatic, and desolate, Lake Natron in northern Tanzania which the birds flee too is becoming increasingly more dangerous due to pollution. It's only a matter of years before the landscape becomes unstable, and entirely inhospitable for the gracious creatures. However, resilient and unicent, they go on.

The music - elegantly pieced together by The Cinematic Orchestra - stands as a partial character. Shaping emotion with its delicately constructed and beautifully played melodies and aiding, side-by-side, the one-of-a-kind visuals which are sure to astound. The documentary stands as a cinematic spectacle - something which Disneynature are continuously producing.

The team behind Disneynature are professionals. Capturing countless footage dealing with and boasting the lives of these effervescent but mysterious creatures is a joyous insight. Whilst downgrading from a collection of varied animals (in Earth) to one species, Crimson Wing is equally as effective. With feathers burning crimson like the Phoenix, they maintain a mystical presence throughout the film which allures and entices throughout its short, but necessary, duration. A undoubtedly engrossing experience.

4.5/5

Wednesday, 9 June 2010

Today's Cinema Viewing

Letters to Juliet

Starring: Amanda Seyfried, Vanessa Redgrave, Christopher Egan and Gael Garcia Bernal

Fact checker and wannabe-writer Sophie (Seyfried) and her slightly overbearing fiancee (Bernal) flee to Verona, Italy on a pre-wedding vacation. While her fiancee deals with things in relation to his new restaurant, Sophie danders around the idyllic location and comes across Juliet's house and the wall of letters below it. Finding an unanswered, fifty-year-old letter belonging to an undecided woman (Redgrave), Sophie sets out to reunite her with her true love 'Romeo', all-the-while dealing with her inexplicably obnoxious son (Egan) and writing a piece which will hopefully break her into the world of journalism.

A Miramax Films Release, Part 3: Shall We Dance?

Peter Chelsom (the director of the recently reviewed Serendipity) sticks with what he knows best for the quasi-remake of the Japanese romantic comedy Shall we dansu, boasting a rather updated script with an impressive, albeit predictably suited, cast.

Shall We Dance could be considered a film solely based around dance. Sadly, that demeans the entire film. Proved by teen fares such as Step Up, Make It Happen and the most recent Streetdance (upping the ante in three dimensions), it's hard to involve a credible, fully-fleshed out storyline whilst mesmerizing the audience with the hopefully invigorating choreographed dance sequences. Luckily, Shall We Dance falls with the most memorable, creating a story both fused with heart and enough sensuality to truly make the classier dancing spring to life.

John Clark (Richard Gere) is a happily married but overworked Estate lawyer. He wishes to liven up his life, but how? Dance instructor Paulina catches his eye in the window of a quaint dance studio, therefore John takes the opportunity to try something new. This, however, leaves his wife (Susan Sarandon) paranoid, sending her on a quest to unveil her husband's dirty secret.

We follow Gere's character as he potentially attempts to discover more of himself - despite being happy with his wife and children - which allows for a certain relatability about himself which also transcends off-screen easily. Becoming tedious with everyday life is a natural occurence, and Gere acts as the film's way of maintaining the underlying message of personal discomfort and the lack of self-satisfaction. He performs, once again, with his acclaimed charm and wit but hardly strays from the characters he has made a career out of (Pretty Woman and An Officer and a Gentlemen, specifically). It's an unarguable fact that he's a successful male lead.

The film itself works wonders due to the pitch-perfect cast, with co-stars equalling how enjoyable it's main stars are. Sarandon's concerned wife provides the heart which, in the end, is just as relatable, and Oscar nominee Stanley Tucci plays John's work colleague and fellow fan of dance whose faux life is drawn astray once John shows him it's okay to be yourself. However, it's Jennifer Lopez who shines throughout. Known for her rather monotonous choice of films (bar the brilliantly entertaining creature-feature Anaconda), Lopez has been heavily criticised throughout her career. While her character of Paulina sticks with her usual routine, she couldn't be more fitting for the role.

Amidst the characters' storylines come the wonderfully varied dances. Captivating and unique in style, the enthusiastically up-tempo to the downright erotic are consistently dazzling, providing an escapism from the rest of the feature which, at times, is weighed down by the melodramatic tone.

Still, Shall We Dance is a perfectly adequate romance. Gere and Sarandon share few scenes, but the chemistry is clearly visible. A scene, especially, featuring an undoubtable homage to the significant scene in An Officer and a Gentleman. A cutesy, often moving, romance which plows through the undeniably predictable story with zealous, likable characters.

4/5